Blue Skies, Black Earth 2025

Blue Skies Black Earth, GOMA Gallery of Modern Art, Waterford. Photo: Deirdre Frost. Subsequent photos: Jed Niezgoda unless otherwise credited

The earth, locus of growth and renewal are the inspiration behind this new body of oil paintings on canvas and on wood, alongside the innate instinct in all living things to grow, to thrive, to flourish, to reach upward. The paintings attempt to capture the experience of living in this world- a fragmented, complicated place of growth and collapse, influenced by a multitude of opaque and complex human agendas. The paintings strive to break free, to upend their structured rootedness. Spaces of open air, can be glimpsed through geometric slabs, while plants drift free of their moorings. Many of the plants are painted in exuberant colour, a celebration of the ability of the cnatural world to recover and thrive, and the crucial role it can play in healing a broken humanity.

Tarlú i Measc na gCrann (2025), oil and acrid on panel, 100 x 80 cm
Blue Skies, Black Earth exhibition install photograph
Root (2025), oil on panel hand-cut with band saw
Ripping It Up (2025), oil and acrylic on panel, 100 x 122 cm
Glioscarnach (2025), oil on panel, 60.5 x 81 cm
Loinnir (2025), oil on panel, 60.5 x 81 cm

Blue Skies, Black Earth (2025) exhibition install photograph
Rise (2025) oil and acrylic on panel, 104 x 50 cm
Blue Skies, Black Earth (2025) exhibition install photograph
Catch a Breath (Land), oil on panel 120 x 80 cm

Catch a Breath (Sea), oil on panel 120 x 80 cm
Catch a Breath (Air), oil on panel 120 x 80 cm
Blue Skies, Black Earth exhibition install photograph
Hold (2025) oil on panel, handcut with band saw, max. 40 x 36 cm. Photo: Deirdre Frost
Blue Skies, Black Earth (2025) exhibition install photograph

Vignettes depict scenes of captured beauty and simplicity, much like an endeavour to simplify and structure our lives and desires, while the box like structures that contain these snapshots split and crack. Oil painting on canvas rooted on the floor draws the viewer in to its dark vortex as prickly plants reach from the depths, a visceral reminder of what is beneath our feet. Sea thrift drifting through a triptych give a sense a floating free, uprooted, adrift and floating like seeds through the air while soft bog cotton blows above collapsed slabs on a shore. These paintings contain signs of global fracturing and collapse, throughout which plants strive ardently toward the air.

Black Earth (2025) detail, oil on canvas with mixed media frame, d. cm